THE LAST ANGEL OF HISTORY
John Akomfrah | United Kingdom 1995 | 45 Min. | English with engl. Subtitles
TUESDAY, 13.05. | 8 pm
De France, Saal 1 | TICKETS
Feature Film of the Programme IN FOCUS: sonic frictions
„Die Linie zwischen sozialer Realität und Science-Fiction ist eine optische Täuschung.” Ein Datendieb reist durch Zeit und Raum auf derSuche nach codierter Information zu seiner eigenen Zukunft. In seinem Unterfangen hat er einen Anhaltspunkt; die MothershipConnection. Auf seiner Reise begegnet der Trickster ikonischen Figuren der Schwarzen Kulturgeschichte, Astronautinnen, Musikerinnenund Schriftsteller*innen darunter Octavia Butler, Sun Ra, Nichelle Nichols, DJ Spooky, Goldie, Kodwo Eshun und Derek May. Ihre Worte verdichten sich zu einer kaleidoskopischen Meditation über die Beziehung von Technologien und der Afrikanischen Diaspora und surfen entlang von Genealogien von Zukünften und Verlust, in tiefer Verbundenheit mit dem Afrofuturismus.
Director: John Akomfrah
Writing: Edward George
Camera: David Scott
Editing: Justin Amsden
Sound: Trevor Mathison, Peter Hodges
Music: Trevor Mathison
Production: Black Studio Film Collective, Lina Gopaul, Avril Johnson
BIOGRAPHY
John Akomfrah, OBE is widely recognized as one of the most influential figures of black British culture in the 1980s. An artist, lecturer, and writer as well as a filmmaker, his twenty-year body of work is among the most distinctive in the contemporary British art world, and his cultural influence continues today. Born in Accra, Ghana on 4 May 1957, John Akomfrah is one of five children of Ghanaian political activists. He was educated at local schools in West London and at Portsmouth Polytechnic, where he graduated in Sociology in 1982. Akomfrah is best known for his work with the London-based media workshop Black Audio Film Collective, which he co-founded in 1982 with the objectives of addressing issues of Black British identity and developing media forms appropriate to this subject matter. Akomfrah’s work takes a deliberately questioning approach to documentary film. Besides making theatrical films, Akomfrah has directed many television programs. A critic as well as a filmmaker, he has written widely about African cinema. He has been a member of the Arts Council Film Committee, and a BFI Governor. He was appointed Officer of the Order of the British Empire (OBE) in the 2008 New Year Honours. In March 2012 he was awarded the European Cultural Foundation’s Princess Margriet Award. In 2015, Akomfrah premiered his three-screen film installation Vertigo Sea (2015), which explores what Ralph Waldo Emerson calls ‘the sublime seas’. In 2017, Akomfrah presented his largest film installation to date, Purple (2017), at the Barbican in London, co-commissioned by Bildmuseet Umeå.
